Everyone Uses AI — Art, Culture and Everyday Life in a Networked World

We Are Already Living in an Algorithmic Culture

Silhouette of a walker moving through an environment saturated with digital platforms, algorithms, and media flows in a contemporary dripping aesthetic.

Read this article in French:
Tout le monde utilise l’IA — Art, culture et vie quotidienne dans un monde en réseau

A Technology Already Integrated into Everyday Life

Since the arrival of conversational AI systems such as ChatGPT, many people have the impression that artificial intelligence has suddenly entered our lives. Yet different forms of AI have already been present in our daily lives for many years.

We use AI when we search the Internet, follow a GPS route, when streaming platforms suggest films or music, or when social networks automatically organize the posts that appear in our news feeds. Online shopping platforms, voice assistants, automatic translation, recommendation systems, editing tools, and even many health applications already rely on forms of artificial intelligence.

AI is no longer a technology of the future.
It has gradually become an invisible infrastructure of contemporary everyday life.

A Gradual Evolution of the Web and Digital Platforms

I have been observing the evolution of the web and digital culture since the early days of the Internet in the 1990s. I witnessed the emergence of the first search engines, the beginnings of social networks, digital platforms and, gradually, the arrival of algorithmic systems that now organize a large part of global cultural circulation.

This shift did not happen suddenly. It developed slowly, almost silently, until it became an integrated part of contemporary daily life.

Today, this reality affects almost every area of society: work, education, communications, media, commerce, transportation, health, research, culture and the arts.

It is already changing the way many professions function on a daily basis. Teachers use writing and research assistance tools, cultural workers depend on digital platforms to distribute their content, companies automate certain administrative tasks, and creators use recommendation systems to reach their audiences.

Media, Journalism and Culture in the Algorithmic Environment

Even professions related to information, communication and media are now evolving within this digital environment where platforms, search engines and algorithmic systems occupy an increasingly important place.

We can also see this in journalism, where journalists already use writing assistance tools, automatic transcription systems, intelligent search engines and platforms that personalize the circulation of information. In newsrooms, algorithms now influence content visibility, the speed of dissemination and sometimes even the way topics reach the public.

Art and culture do not evolve outside the contemporary world. They are transforming within the same digital and algorithmic environment that is already reshaping our daily habits.

Today, digital platforms play a major role in our cultural experience. Recommendation systems help organize what we discover, watch, listen to and share. Search engines also influence the visibility of artworks, artists, articles and ideas.

The deepest role of AI may not simply be to produce images, texts or music. It also lies in its ability to silently organize global cultural circulation.

Visibility in Algorithmic Culture

We are already living in an algorithmic culture.

This does not mean that algorithms completely control our lives or that humanity is disappearing. But it does mean that many aspects of our experience of the world now pass through systems of calculation, recommendation, filtering and personalization.

This presence sometimes becomes almost invisible because it gradually integrates itself into our habits. Like the Internet before it, AI is slowly ceasing to be perceived as a spectacular novelty and is becoming a normalized everyday environment.

We may be entering a period comparable to the post-digital era: a moment when technology ceases to be exceptional because it has already become part of the ordinary cultural landscape.

For younger generations, digital platforms, automated recommendations and algorithmic systems no longer represent a technological novelty, but simply a normal part of the cultural environment in which they are growing up.

Today, even people who claim to distrust artificial intelligence often use, sometimes without fully realizing it, platforms, search engines, social networks and digital systems that already rely on various forms of algorithms and AI.

It is possible to reject certain uses of conversational AI or to question its development. But it becomes more difficult to claim that we live completely outside these technological environments, since digital platforms and algorithmic systems are now an integral part of contemporary everyday life.

This situation nevertheless raises several important questions. Algorithmic systems sometimes tend to favor content that generates rapid attention, strong emotional reactions or constant engagement. Personalized recommendations can also reduce certain forms of spontaneous discovery and encourage a gradual homogenization of cultural tastes.

In this context, visibility itself becomes a major cultural issue.

What is not recommended circulates less.
What circulates less sometimes becomes almost invisible.

Artists, writers, journalists, creators and cultural organizations must now evolve within environments where the circulation of content increasingly depends on digital platforms and algorithmic systems.

Human Presence in an Automated World

But this transformation is not only about technology. It also concerns the way we inhabit the contemporary world.

As systems become more automatic, more fluid and more integrated into everyday life, certain human dimensions seem to acquire a new value: real presence, attention, slowness (human time), critical thinking, human relationships, emotion, memory and lived experience.

Algorithmic systems did not appear on their own. They also reflect the choices, values and orientations of the societies that develop them.

The more algorithmic the world becomes, the more precious human presence becomes.

Artificial intelligence will probably continue to profoundly transform contemporary societies. The arts, media and culture will also continue to evolve within this networked environment where humans, platforms and algorithmic systems now permanently coexist.

But despite these transformations, one thing remains essential: behind screens, data and algorithms, there are still human beings who create, search, doubt, feel and try to give meaning to the world they are moving through.

The digital is not the subject.
The human being is.

It is humanity that created technologies, including artificial intelligence, to extend its capacities, share knowledge and continue transforming the world it inhabits.

🔷 SEE ALSO

The Network Walker — Traversing Global Culture in the Algorithmic Age

The Use of AI in Art: Beyond Creation, the Algorithms Organizing Global Culture

Humanist Digital Art — Theoretical Corpus and Developments

About the Author

Illustration numérique représentant « Le marcheur du réseau / The Network Walker », une silhouette humaine avec une horloge en guise de tête, évoquant la traversée de la culture mondiale à l’ère algorithmique / Digital illustration representing “Le marcheur du réseau / The Network Walker,” a human silhouette with a clock as a head, evoking the traversal of global culture in the algorithmic age.

© Gilles Vallée | Humanist Digital Artist, Poet, Sculptor

The Network Walker — Traversing Global Culture in the Algorithmic Age

Culture, Transmission, Emotions and Human Experience in a Networked World

Digital illustration representing a network walker moving through an environment of global algorithmic culture composed of words such as ALGO, WEB, CULTURE, MEDIA, ARCHIVE, and DATA.

Read this article in French:
Le marcheur du réseau — Traverser la culture mondiale à l’ère algorithmique

A Global Networked Culture

We are already living within a global networked culture.

In the evening, somewhere in a house, an apartment or a bedroom, someone listens to music from another country while the glow of a screen softly lights the room. A few minutes later, that same person watches a Chinese film, discovers a photograph taken on the other side of the world, consults an old archive, reads a poem translated into another language, watches a video explaining an artistic technique or exchanges with an artificial intelligence.

All of this can now happen during a single ordinary evening.

Today, culture circulates through a vast global environment made up of archives, platforms, search engines, communities, videos, recommendations and systems of transmission that continuously connect artworks, knowledge, images, emotions and human memories.

The question is no longer technological.

It is human, cultural and civilizational.

We already inhabit this continuous global culture.


From a Culture of Places to a Culture of Circulation

For a long time, I knew another cultural reality.

To experience certain works, one had to travel to a museum, a gallery, a library or a cinema. Books circulated more slowly. Discoveries took time. Knowledge was often connected to physical places, institutions, teachers and clearly identifiable cultural mediators.

I have been observing this cultural transformation since the early days of the web in the 1990s. For more than twenty years, I have personally published images, artworks and texts within the network. Over time, I have watched global culture gradually become a continuous environment of circulation, transmission and learning.

Then, progressively, computing, the web, digital archives, search engines and networks transformed the circulation of culture on a global scale.

This transformation did not happen abruptly.

It slowly settled into our daily habits.

Today, millions of people learn music, drawing, photography, video editing, writing, philosophy or craft techniques directly through the network. Films, songs, texts, visual works and knowledge continuously cross borders, languages and generations.

Culture is no longer simply a place we visit.

It becomes an environment in which we live.

We are gradually entering a post-digital culture where networks, archives, systems of transmission and global cultural circulation have become part of everyday life.


The Network Walker

Within this new cultural condition, we gradually become Network Walkers.

We continuously move through global cultural flows.

We move from one work to another, from one language to another, from one memory to another. We discover unknown artists, forgotten archives, ancient music and images from elsewhere. We learn through videos, communities, exchanges and global systems of transmission that would have seemed almost unimaginable only a few decades ago.

The Network Walker is not merely a user of technologies.

It is a human presence inhabiting a global cultural space in continuous circulation.


Memory and Visibility in Cultural Flows

This transformation profoundly changes our relationship to memory.

In the past, archives often remained difficult to access and tied to specific locations. Today, a vast part of human cultural memory circulates through networks. An old photograph suddenly reappears on a screen after years of oblivion. Forgotten films resurface. Music crosses decades. Texts continue to be read long after their original publication.

Memory becomes more accessible, but also more fragile.

What circulates remains visible.

What stops circulating risks slowly disappearing within the constant noise of global cultural flows.

We are therefore entering an era in which visibility directly influences cultural memory.


Learning Within a Continuous Global Culture

This global culture also transforms the way we learn.

Learning becomes increasingly horizontal, mobile and continuous.

Today, a person can learn a Japanese painting technique through a video produced in another country, listen to African music, discover a Québécois poet, watch a European documentary and speak with an artificial intelligence within the same day.

Knowledge now circulates at an unprecedented speed and scale.

But this abundance also creates new tensions.

We live in a world where access to works and knowledge has probably never been so vast, while at the same time confronting a permanent overload of information, images and stimuli.

Global culture brings people closer together while sometimes producing a strange form of solitude.

We are connected to immense flows, yet we continue searching for spaces of real presence, attention and depth.


Human Time Within Contemporary Flows

Within this continuous culture, human time itself becomes an important issue.

Networks accelerate cultural circulation, but human emotions remain slow.

Learning takes time.

Memory takes time.

Grief, creation, reflection and transmission take time.

Even in a world crossed by instantaneous flows, human experience continues moving at a rhythm profoundly different from that of the systems now organizing global cultural circulation.

This may be one of the most important tensions of our time.


A New Global Cultural Condition

Yet despite the risks of uniformity, saturation and permanent distraction, this global culture also opens an immense space for human encounters.

People living in different countries can now share works, learn together, transmit knowledge, discover common sensitivities and build new forms of cultural exchange.

Global culture therefore becomes not only a space of circulation, but also a space of transmission and human recognition.

The Network Walker continues its journey through this global cultural environment.

It moves through works, knowledge, emotions, archives, languages, memories and imaginaries continuously circulating around it.

It becomes at once:

• witness;
• learner;
• transmitter;
• human presence within contemporary cultural flows.

We may be entering a new global cultural condition where culture no longer exists merely as a collection of objects or institutions, but as a living environment progressively transforming the way we learn, transmit, feel, communicate and inhabit the world.

And the Network Walker continues moving forward, traveling, wandering and visiting.

Illustration numérique représentant « Le marcheur du réseau / The Network Walker », une silhouette humaine avec une horloge en guise de tête, évoquant la traversée de la culture mondiale à l’ère algorithmique / Digital illustration representing “Le marcheur du réseau / The Network Walker,” a human silhouette with a clock as a head, evoking the traversal of global culture in the algorithmic age.

🔷 CONTINUE THE JOURNEY

The Use of AI in Art: Beyond Creation, the Algorithms Organizing Global Culture

From Humanist Digital Art to the Algorithmic Artwork-Site

Algorithmic Artwork-Site — Inhabiting the Network as Artistic Space

Digital Poetry and Post-Digital Practice: Toward a Humanist Reading of Contemporary Forms

Humanist Digital Art — Theoretical Corpus and Developments

Everyone Uses AI — Art, Culture and Everyday Life in a Networked World


© Gilles Vallée | Humanist Digital Artist, Poet, Sculptor