Why Continue Writing Poetry in a Digital World?

We Participate in the Evolution of the Digital World

Digital artwork by Gilles Vallée depicting a bicycle beside a staircase in a composition of cyan, purple and yellow tones.

Read this article in French:
Pourquoi continuer d’écrire de la poésie dans un monde numérique ?

An Everyday Scene

You go online.
You type into a search engine:
“poetry on the Web”

The answer comes back:
“Poetry on the Web transforms traditional writing into an interactive, visual and auditory experience accessible everywhere.”

That’s true. Digital technology is transforming the ways we write, publish and read poetry. Instapoetry, which emerged with social media, is one example.

But the movement also goes in the other direction.

Every poem we write and publish adds a few words to this immense digital space. Just a few words, but words that carry an image, an emotion, a human experience, a way of looking at the world.

We do more than simply inhabit the digital world. Through what we choose to publish there, we also participate in its evolution.

A single poem may seem tiny in the vastness of the Web, but we should not think only at the scale of one poem. Whether published in a book or on the Web, every poem joins other human traces that, together, participate in the evolution of global culture.

When a poem is published on the Web, it also enters this space of circulation that we build every day.

We constantly use words to communicate, search or explain. Poetry reminds us that words can also make us imagine, feel and see differently. Writing poetry means exploring this other possibility of language. A few words can be enough to evoke a mental image, an emotion, a memory or a question.

That is also why it matters to keep writing poetry and putting it into circulation. The digital world should not become merely a useful space for finding information, working, calculating or communicating. It should also carry the emotional, intuitive and imaginative dimensions of human experience.

Continuing to publish poetry there is one way of helping to ensure this human presence within the network.

The digital world will continue to evolve. What we choose to write and put into circulation will also help determine what it becomes. Poetry can continue to be part of it.

We have the opportunity to leave poetic traces in this algorithmic world, so let’s do it.

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This text is part of the Understanding Today’s Culture series, a chronicle of our global networked culture.

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Explore Further

🟦 The More Digital the World Becomes, the More Important the Human Becomes

🟦 Why Do We Still Need Artists?

🟦 Why I Continue to Write and Publish in a World Saturated with Technology


© Gilles Vallée | Humanist Digital Artist, Poet, Sculptor

The More Digital the World Becomes, the More Important the Human Becomes

Sculpture depicting a human figure integrated into a digital composition with blue, grey, and red textures.

Read this article in French:
Plus le monde devient numérique, plus l’humain devient important

An Everyday Scene

You go online.
You search the Web for an image of a man working on a sculpture.
Among the results, an old photograph appears showing a sculptor in his studio.
You see him working with the material.
This moment actually happened.

Then you ask an artificial intelligence to generate an image of a man working on a sculpture.
A few seconds later, another image appears.
It is convincing.
The gesture looks real.
So does the dust.

Yet something has changed.
In the first image, this moment was lived.
In the second, this moment was simulated.

In the first photograph, a human being was there. He touched the material and engaged in an act of creation. The photograph preserves a trace of that moment.

What we are looking at, then, is not simply an image of a man at work. Something of his experience reaches us.

Human beings have always passed their experiences on to one another in this way. Through stories, objects, works of art, letters, photographs, or films, we discover what others have seen, felt, imagined, or lived.

The digital world does not make these traces disappear. On the contrary, it can preserve them, circulate them, and allow us to encounter them.

But a new cultural and artistic environment is taking shape. Algorithmic systems can also produce images, texts, or music that seem to carry the trace of a human experience without a human being having lived what they represent.

In this environment, being anchored in human experience takes on particular importance.

Behind a photograph, a story, a work of art, or a testimony, we can encounter the experience of another human being. Through the trace they have left behind, something of that experience can travel through time, circulate in the digital world, and reach us.

Representations produced by algorithmic systems are not necessarily anchored in human experience in this way. They can move us, surprise us, or lead us to imagine an experience without necessarily being the trace of a real human experience.

The more digital the world becomes, the more important the human becomes.

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This text is part of the Understanding Today’s Culture series, a chronicle of our global networked culture.

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Explore Further

🟦 Why Do We Still Need Artists?

🟦 Why Continue Making Art in a Digital World?

🟦 Why Do Some Human Traces Endure Through Time?

🟦 Why Continue Writing Poetry in a Digital World?

🟦 Humanist Digital Art: A Philosophy of the Human in the Technological Age


© Gilles Vallée | Humanist Digital Artist, Poet, Sculptor

Who Will Shape Cultural and Artistic Recognition Tomorrow?

Cultural Stewards

Two black-and-white checkerboard spheres dotted with colorful squares, evoking circulation and cultural diversity.

Read this article in French:
Qui fabriquera la reconnaissance culturelle et artistique demain ?

You log on.
You ask a search engine to name some internationally recognized artists.
An AI-generated overview suggests several names, grouped by artistic field.

But who decided that these artists were recognized?

For a long time, this recognition was largely shaped and transmitted by different mediators: museums, galleries, critics, curators, publishers, universities, media organizations, and other cultural institutions.

Painting, sculpture, literature, poetry, music, theatre, cinema: among all the works created in these fields, some have been recognized and passed on by these stewards. By preserving, publishing, exhibiting, interpreting, or studying them, they have also contributed to their longevity.

Today, other stewards have joined them: search engines, platforms, recommendation systems, and artificial intelligence. Without replacing institutions, they are participating in a new ecosystem of recognition.

Today, a work can have little presence within institutions and yet be encountered by millions of people in our global networked culture. It can be searched for, shared, cited, and continually recirculated.

Is that enough to call it recognition?

Not necessarily. A work can go viral on the Web and then disappear. Popularity, circulation, recognition, and longevity are not the same thing.

Time, however, can have an impact. If a work continues to be encountered, transmitted, and rediscovered over the years, its circulation can contribute to its recognition and longevity.

This phenomenon is not new. From Leonardo da Vinci to Van Gogh, from Baudelaire to Rimbaud, works continue to endure because generations of stewards have preserved, studied, published, exhibited, or transmitted them.

And behind this circulation, there are not only algorithms. There are also people. Their searches, publications, links, citations, and encounters leave traces that new mediators can, in turn, organize and bring to our attention. Search engines and AI systems can suggest a work. But without a human encounter, there will be no one to recognize it, transmit it, and contribute to its longevity.

Tomorrow, institutions, audiences, and new stewards will probably participate together in shaping cultural and artistic recognition.

Stewards may change.
Technologies may change.
But a culture remains alive only if people continue to share it.

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This text is part of the Understanding Today’s Culture series, a chronicle of our global networked culture.

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Explore Further

🟦 Why Do Some Human Traces Endure Through Time?

🟦 Why Do We Still Need Artists?

🟦 The Horizon of Circulation

🟦 The Use of AI in Art: Beyond Creation, the Algorithms Organizing Global Culture


© Gilles Vallée | Humanist Digital Artist, Poet, Sculptor

Why Do Some Human Traces Endure Through Time?

Works, Ideas and Knowledge: The Stewards of Cultural Continuity

Two sunflowers in a vase, one yellow and inspired by Van Gogh, the other transformed into a black-and-white checkerboard pattern.

Read this article in French:
Pourquoi certaines traces humaines traversent-elles le temps ?

A scene from everyday life:

You log on.
You run a search.
You are shown a painting by Vincent van Gogh.

You encounter a work created more than a century ago, without going to a museum and without ever seeing the original.

But this story is not just about painting.

A poem, a novel, a song, a film, a photograph, an idea or a piece of knowledge can also travel across generations.

How do they reach us?

And why do some of these human traces continue to circulate while others disappear?

Van Gogh’s story offers us a clue.

Van Gogh left behind paintings, drawings and letters. Traces.

His brother Theo supported him and helped preserve these traces. After both brothers died, Johanna van Gogh-Bonger, Theo’s widow, played a crucial role in preserving, exhibiting and bringing Vincent’s work to public attention.

Then others took over.

Collectors, art dealers, museums, researchers, teachers and publishers. Later came photographers, filmmakers and television. Then the Internet, search engines, platforms and, today, artificial intelligence.

All became, in their own way, mediators.

Stewards.

Through them, the traces left by Van Gogh continued their journey, encountering new people generation after generation.

The journey can be summarized as follows:

Traces → Mediators → Horizon of Circulation → Effective Circulation → Longevity

A broader horizon of circulation, however, does not guarantee that a work will endure through time. It simply opens up more possible paths.

And preserving a work may not be enough to ensure its cultural longevity.

A work can lie dormant in an archive for decades. It still exists, but no one encounters it.

Preservation allows a trace to survive. Circulation and encounters allow it to remain alive in culture.

Perhaps this is what longevity means: not a state achieved once and for all, but a process. A work is rediscovered, viewed, studied, discussed, reproduced, transmitted and then put back into circulation.

Each generation receives traces from the past and passes some of them on to the next.

We, too, are stewards.

Perhaps cultural longevity is, above all, a succession of human encounters across time.

Diagram: Traces → Mediators → Horizon of Circulation → Effective Circulation → Longevity.

 📚View all Micro-Essays

This text is part of the series Understanding Today’s Culture, a chronicle of global networked culture.

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Further Reading

🟦The Horizon of Circulation

🟦The More Digital the World Becomes, the More Important the Human Becomes

🟦Why Do We Still Need Artists?

🟦Who Will Shape Cultural and Artistic Recognition Tomorrow?

🟦The Use of AI in Art: Beyond Creation, the Algorithms That Organize Global Culture


© Gilles Vallée | Humanist Digital Artist, Poet, Sculptor

How Far Can a Publication Go?

The Horizon of Circulation in Global Culture

Black-and-white checkered spheres gradually receding into a vast white space, illustrating the horizon of circulation of works, ideas and knowledge through cultural mediators.

Read this article in French:
Jusqu’où une publication peut-elle aller ?

An everyday scene:

You log on.
You search for a topic that interests you.
Within seconds, you find a fascinating article.
You read it.

Then you discover that it was written by someone living on the other side of the world and translated so that you could read it.

You realize that only a few decades ago, you probably would never have had access to that text.

What made this encounter possible?

For centuries, works, ideas and knowledge have circulated through mediators such as storytellers, scribes, booksellers, librarians, teachers and critics. Today, new algorithmic mediators — search engines, digital platforms and artificial intelligence — also play an essential role in their circulation.

In our example, it is precisely these new mediators that made this encounter possible.

Mediators make encounters possible. But their ability to circulate a publication also depends on the way it is published.

Choosing how to publish

Take the example of a poet who wishes to share a poem.

The poet may choose to recite the poem during a poetry reading before an audience of about ten people, without publishing it.

The poet may also decide to publish it in a printed poetry collection distributed through a few bookstores, reaching a few hundred readers.

Or the poet may publish it online, where it can be shared, indexed by search engines, recommended by digital platforms, sometimes cited by artificial intelligence, and discovered by tens of thousands of readers around the world.

The poem is exactly the same.

What changes is the potential extent of its journey.

This is what I call the horizon of circulation.

Several ways of making a text accessible coexist. If we choose to publish it, each publishing method opens a different horizon of circulation. The chosen method of publication therefore influences the potential extent of the circulation of a work, an idea or a piece of knowledge.

I have used the example of a poem, but the same phenomenon applies to every publication: a work of art, an idea, a piece of knowledge or even a simple personal testimony.

Algorithmic mediators now allow certain publications to reach a horizon of circulation on the scale of global culture.

Choosing how to publish also means choosing how far a publication may potentially travel.


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This text is part of the series Understanding Today’s Culture, a chronicle of global networked culture.

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Further Reading

🟦 You Already Use Artificial Intelligence

🟦 You Publish… But Are You Really Seen?

🟦 Who Will Shape Cultural and Artistic Recognition Tomorrow?

🟦 The Horizon of Circulation

🟦 AI in Art: Beyond Creation, the Algorithms That Organize Global Culture

🟦 Global Culture as a Moving Mosaic

🟦 Why Do Some Human Traces Endure Through Time?


© Gilles Vallée | Humanist Digital Artist, Poet, Sculptor

You Are Already Leaving Traces in Global Culture

What Will Remain of You in the Future?

Illustration of world culture as a multilingual mosaic alongside the Network Walker, symbolizing human traces, time and cultural transmission.

Read this article in French:
Vous laissez déjà des traces dans la culture mondiale

An everyday scene:

I log in.
I publish a photograph on the Web.

Like everyone else, I wonder whether anyone will react.

A Like?
A comment?
A share?

I wonder how many people will see this post.

Today?
This week?
Next month?

Then other questions arise.

In a few years?
In a few decades?

What if this publication one day became a trace from the past?

The moment I click Publish, I am mostly thinking about the present. Yet this publication may continue its journey long after I am gone, reaching people I will never know.

Since the beginning of human history, people have sought to leave a part of themselves behind: a handprint on a cave wall, a petroglyph carved into stone, a manuscript, a book, a photograph, a work of art. Today, a publication on the Web.

Technologies change.
The human need remains.

We write, create, photograph, and share. The digital world did not invent our desire to pass something on. It has simply become the new place where this long story of human transmission continues to unfold.

Not every trace survives the passage of time. Many will be forgotten. Others will travel much farther than we can imagine. We never know which ones will continue their journey.

Every publication may become a small part of the world’s memory.

A photograph
A poem
An idea
A testimony
A work of art
A piece of knowledge

Each publication may add another fragment to the moving mosaic of global culture.

To continue their journey, these traces must first become visible. They must then be discoverable. One day, they may finally encounter another human being who gives them new meaning.

For thousands of years, the journey of human traces has followed the same path:

Visibility

Discoverability

Encounter

Every generation leaves traces. Ours travel through the network.


📚 See All Micro-Essays

This text is part of the series Understanding Today’s Culture, a chronicle of global networked culture.

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Further Reading

🟦 You Publish… But Are You Really Seen?

🟦 Human Traces in Global Culture

🟦 Why Do Some Human Traces Endure Through Time?

🟦 Inhabiting the Network — A New Human Condition in Global Culture

🟦 Global Culture as a Moving Mosaic


© Gilles Vallée | Humanist Digital Artist, Poet, Sculptor

Publishing Is Not Enough. You Also Need the Chance to Be Seen.

The Path from Visibility to Encounter

Multilingual mosaic of the word culture, young woman walking through a digital stream of online content and platforms, illustrating visibility, discoverability and cultural encounters in global networked culture.

Read this article in French:
Publier ne suffit plus. Encore faut-il pouvoir être vu.

A scene from everyday life:

I log in…

I publish a photo.

A text.

A video.

A reflection.

Sometimes what I publish is quickly seen and shared.

Sometimes it seems to disappear almost immediately.

Yet those posts still exist.

Today, billions of posts circulate through digital networks. Never before have so many people been able to share their ideas, knowledge, experiences, creations and discoveries so easily. Publishing has become an everyday act.

But publishing is no longer enough.

You also need the chance to be seen.

In my own case, I have been publishing artistic works and reflective essays on the Web for more than twenty years. Some quickly find their audience. Others seem to disappear into the digital limbo. There is nothing unusual about this experience. Today, anyone can see that some publications circulate widely while others remain almost invisible.

At its core, this is a deeply human experience. Publishing, communicating, hoping to be seen, to be discovered and to reach an audience have always been part of cultural transmission.

Throughout history, human beings have sought to pass on ideas, knowledge, experiences and creative works. Transmission is one of the great threads running through human history. The digital world did not create this aspiration. It has simply become its newest chapter.

In a world where everyone can publish, visibility has become a genuine cultural issue. Without visibility, ideas, knowledge and creative works may never reach the people who could give them new life.

What has changed with the digital age is the path that transmission now follows. Search engines, digital platforms and artificial intelligence have become new mediators between content and the people who may discover it. Today, this capacity to make content discoverable across the vastness of the Web has a name: discoverability.

Ultimately, visibility is not an end in itself. Being seen only truly matters when an idea reaches a curious mind, when knowledge finds someone who was looking for it, when a text, an image or a piece of music encounters a person who gives it new life through reading, listening, reflection or sharing.

Visibility makes it possible to be seen.

Discoverability makes it possible to be found.

Encounter is the true goal.

Culture has always lived through encounters.


📚 View All Micro-Essays

This text is part of the series Understanding Today’s Culture, a cultural chronicle of global networked culture.

→ Back to the Micro-Essays page

Further Reading

🟦 You Publish… But Are You Really Seen?

🟦 Global Culture as a Moving Mosaic

🟦  Inhabiting the Network — A New Human Condition in Global Culture


© Gilles Vallée | Humanist Digital Artist, Poet, Sculptor

You Already Choose Your Culture

Building Your Culture, One Choice at a Time

Multilingual mosaic of the word culture, a person facing a digital stream of online content and platforms, illustrating the construction of a personal culture within global networked culture.

Read this article in French:
Vous choisissez déjà votre culture

A scene from everyday life.

I log in…

The Web offers me:

  • a Led Zeppelin concert;
  • a retrospective of Van Gogh’s works;
  • a documentary on climate change;
  • a talk on contemporary art;
  • an introduction to Chinese calligraphy;
  • a poetry reading.

I won’t watch everything.

I will choose.

Global networked culture has profoundly transformed the way we discover works, ideas, and knowledge. In just a few clicks, we can explore music, books, knowledge, traditions and creative works from almost every part of the world. Search engines, digital platforms and artificial intelligence have become the main mediators of our cultural discoveries. They suggest, recommend and organize a vast stream of content.

But they do not choose for us.

Culture is no longer only an inheritance. It has also become something we build ourselves.

It was not always this way.

When I was a teenager in the early 1970s, our opportunities for cultural discovery were far more limited than they are today. A few television channels, magazines, cinemas, live music performances, libraries and bookstores were our main gateways to works of art, ideas and knowledge.

Building a personal culture is a continuous process. It does not happen in a single day, but through the works, readings, discoveries and encounters that gradually shape our journey.

Every day, we choose the works we watch, the books we read, the music we listen to, the talks we attend and the subjects we decide to explore. Each choice may seem small. Yet, over time, these choices gradually shape our worldview, our references and our cultural identity.

Recommendations sometimes open doors to works we might never have discovered otherwise. They never replace our freedom to choose the direction of our own cultural journey.

The greatest cultural challenge is no longer gaining access to culture. It is learning to consciously build our own cultural path within an almost unlimited global cultural landscape.

Choosing fragments of global culture to enrich our own culture has become part of the human experience.

Scrolling is moving through the flow. Choosing is building your culture.


📚 View All Micro-Essays

This text is part of the series Understanding Today’s Culture, a cultural chronicle of global networked culture.

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Further Reading

🟦 Global Culture as a Moving Mosaic

🟦 Inhabiting the Network — A New Human Condition in Global Culture


© Gilles Vallée | Humanist Digital Artist, Poet, Sculptor

You Are Already Part of Global Culture

Minimalist illustration showing an orange sphere beside a grid displaying the word “culture” in multiple languages, symbolizing that people already participate in global culture within an interconnected world.

Read this article in French:
Vous faites déjà partie de la culture mondiale

It is already part of your everyday reality, even if you do not always think about it.

• Every day, you choose fragments of global culture that interest you.

• You gradually build your own cultural mosaic.

• You already inhabit this interconnected world.

In the morning, you check the news on your phone. Later, you listen to music, watch a streaming series or search for information about a topic that intrigues you. Sometimes, you interact with people living in other countries.

All of this has become normal.

And yet, these ordinary actions already connect you to the rest of the world.

For you, global culture is not an abstract idea. It is already part of your everyday life.

You do not consume all of global culture. No one does. Instead, you choose fragments that attract your attention and gradually compose your own cultural mosaic.

Some people are interested in Japanese photography. Others discover South Korean artists, African writers, Spanish films or culinary traditions from elsewhere.

We all do this in our own way.

I often remember a particular scene. In 1974, I discovered Surrealism while watching slides projected onto a classroom wall. I was looking at reproductions of paintings by Salvador Dalí. Today, I discover fragments of global culture through search engines and artificial intelligence. The tools have changed, but the desire to discover the world has remained the same.

By observing this evolution over many years, I have realized that global culture is neither a distant phenomenon nor an idea reserved for specialists. It has already become part of our daily lives.

We have become inhabitants of a vast cultural space where everyone gradually builds their own mosaic.

Becoming aware of this reality changes the way we look at the world.

We are no longer just spectators. We already participate in this global culture through our choices and discoveries.

And perhaps, by taking a few moments to observe it, we will better understand the global culture that we are all building together.

It is your world,

it is mine,

and it is the one we already share.

📚 View All Micro-Essays

This text is part of the series Understanding Today’s Culture, an ongoing chronicle of global networked culture.

→ Return to the Micro-Essays page

Explore Further

🟦 Global Culture as a Moving Mosaic

🟦 The Network Walker — Traversing Global Culture in the Algorithmic Age

🟦 Inhabiting the Network — A New Human Condition in Global Culture

🟦 Why Do Some Human Traces Endure Through Time?


© Gilles Vallée | Humanist Digital Artist, Poet, Sculptor

We Already Live in a Global Networked Culture

Minimalist illustration showing a human hand pointing toward an abstract network-like form beside a grid displaying the word “culture” in multiple languages, symbolizing global networked culture.

Read this article in French:
Nous vivons déjà dans une culture mondiale en réseau

Global culture is no longer an idea of the future. It is already our reality.

Listening to a Korean song, watching a Spanish series, admiring photographs taken in Africa or reading a text written in China: we have all been doing these kinds of things for a long time.

Without always realizing it, we already live in a global networked culture.

For several decades now, culture has no longer been confined by borders. Creative works, ideas, stories, music and images constantly travel from one country to another and circulate at a speed never seen before.

This is no longer a phenomenon reserved for artists, academics or technology specialists. Ordinary people already participate in this global culture every day.

I myself live within this global culture and have been travelling through the network for many years, a bit like a Network Walker observing the cultural transformations of our time. By observing its evolution, I have come to realize that we still often speak about culture as if it were mainly local, even though our everyday experience has become profoundly global.

We discover creative works from the other side of the world. We follow events unfolding on other continents. We share ideas with people we may never meet.

We have already become inhabitants of a cultural space that extends far beyond geographical borders.

Becoming aware of this reality changes the way we look at the world.

Global networked culture is not a distant place, nor an abstract idea reserved for specialists. It is simply the world we already inhabit.

And perhaps, by taking a few moments to observe it, we will better understand the culture we all share.

📚 View All Micro-Essays

This text is part of the series Understanding Today’s Culture, an ongoing chronicle of global networked culture.

→ Return to the Micro-Essays page

Explore Further

🟦 The Network Walker — Traversing Global Culture in the Algorithmic Age

🟦 Inhabiting the Network — A New Human Condition in Global Culture

🟦 Global Culture as a Moving Mosaic


© Gilles Vallée | Humanist Digital Artist, Poet, Sculptor